Coffee Cup

Nelson, New Zealand

Nikon D800
Ai-S Nikkor 85mm F2.0

F4, 10.5s, ISO-100

Autumn - 秋色

Nelson, New Zealand

Nikon FM2-N
Ai-S Nikkor 85mm F2.0
Fujicolour ProPlus 100

Rain - 雨

Nelson, New Zealand

Panasonic Lumix GX1
Ai-S Nikkor 85mm F2.0
F4, 1/100, ISO-160

I've just received Novoflex Nikon F mount adapter.  Boy it's a great quality.  Feels very solid.

Hydrangea

Nelson, New Zealand

Panasonic Lumix GX1
Ai-S Nikkor 85mm F2.0
F2, 1/125, ISO-160

Another play.  This time I've got Nikkor mount adapter for m43 camera.

Sky High - 天高く

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F8, 1/640, ISO-100

Little gusty.  It makes watching clouds more interesting as those shape shifters make a great show.

In The Mirror - 鏡の中

Nelson, New Zealand

Nikon FA
Ai-S Nikkor 85mm F2
F2.0 Auto, ISO-200
Fujicolour superior  200

Ummmm... not quite sharply focused to anything but somewhat I still like it.  Shooting the reflecting image on the large mirror.  Shot in colour and converted to B&W.

Rain - 雨

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F2, 1/750, ISO-100

The Image before split toning.

Seascape - 海

Nelson, New Zealand

Nikon F4s
Ai-S Nikkor 85mm F2.0
F8, Auto, ISO-100, Fuji ProPlus 100

After scan, I drop the clarity to "0" (soften) and applied some high-pass filter sharpening technique.

Run! - 競走

Nelson, New Zealand

Nikon F4s
Ai-S Nikkor 85mm F2.0
F5.6, Auto, ISO-100, Fuji ProPlus 100

Previous attempt here, but I decided to crop more. 

Fishing - 釣り人

Nelson, New Zealand

Nikon F4s
Ai-S Nikkor 85mm F2.0
F5.6, Auto, ISO-100 ,  Fuji ProPlus 100

Black Coffee 2 - ブラック・コーヒー 2

Nelson, New Zealand

Nikon F4s
Ai-S Nikkor 85mm F2.0
F2.0, Auto, ISO-100 , Fuji ProPlus 100

It may be better, if I crop it on left side to make it 8x10 fro composition wise.
I made some little mistake in my film scanner setting to set all the collection off where I should set some to be on, so there may be a little noise/grain and unevenness on result.   I've done some scratch and dust clean up by the Photoshop. Thanks for the content aware feature of CS5, it was much easer than with CS4.

However, I really like how the "Out Of Focus" area has been rendered by the lens and colour. I may exaggerated a blue channel just a little bit while converting it from negative.

This is the original colour version to the one I converted to split tone (5/Dec/2010) which was taken with D200 (digital) + 24mm F2.8D at F2.8 for 1/4000.  

Sunrise - 朝焼け

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F5.6, 1/30, ISO-100

I changed WB to "Shade" and slightly altered the black and recovery and slide the clarity to negative (make it little soft).

In reality it was slightly more blueish sky like this (WB was "Cloudy" setting).

It also could be better if I clone out the tree brunch at the bottom right corner, which is kind a behind the water-mark.

Sinking - 沈没

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F8, 1/100, ISO-100

Original / Straight out of camera and out from LR3

Mirror - マリーナ

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F8, 1/125, ISO-100

E-Wire - ワイヤー

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F2, 1/1250, ISO-100

Red Spot - バラ

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F2.0, 1/320, ISO-100

The bokeh is bit messy on this one but it's because the texture of multi on ground.

Chives - あさつき

Nelson, New Zealand

Nikon D200
Ai-S Nikkor 85mm F2.0
F2.0, 1/250, ISO-100

Quick test shot of 85mm F2.0.  Without any adjustment (just import RAW and export from LR) and resulted this?  It's a good lens.  I even didn't touch sharpening panel of LR3.