Nikon D200
Ai Nikkor 28mm F3.5 + 80B ( Blue filter) WB=Daylight
F3.5, 4sec, ISO-400
Little experiment to see how it may looks like if I use this filter on daylight film.
I bring the black point to (+15) and apply some luminance noise reduction on PP.
I like the enhanced cobalt blue in the sky while this industrial area lights in closer one get white colour.
Nikon D200
AF Nikkor 50mm F1.4
F5.6, 0.4s, ISO-100
Natural light, Split tone. I may keep this split tone setting for this series now on and re process all when I had enough for printing as little personal book.
Quick test shot of 85mm F2.0. Without any adjustment (just import RAW and export from LR) and resulted this? It's a good lens. I even didn't touch sharpening panel of LR3.
Nikon F4s
Ai Nikkor 28mm F3.5
Fujicolour Superia ISO200
One
frame from test shot for spare parts body. It working perfectly for
me. I'm puzzled what was actually wrong as seller said no power and
aperture control issue.
Nikon F4s
Ai Nikkor 28mm F3.5
Fujicolour Superia ISO200
One
frame from test shot for spare parts body. It working perfectly for
me. I'm puzzled what was actually wrong as seller said no power and
aperture control issue.
One
frame from test shot for spare parts body. It working perfectly for
me. I'm puzzled what was actually wrong as seller said no power and
aperture control issue.
One frame from test shot for spare parts body. It working perfectly for me. I'm puzzled what was actually wrong as seller said no power and aperture control issue.
This is straight out of scan (Canon MP990) and only basic tone adjustment has been done.